Kiki Seror is a first-generation nomad with dual American and French nationality that grew up in a Sephardic Algerian-French household. As a child she was taught the Esoteric Arts of how to read Tarot, Palmistry, Astrology, the interpretation of Dreams, and was highly informed by many more rites, rituals, and mysteries from her family, descendants of spiritual Kabbalists, and Sicilians practicing Scongiuri folk magic. As a visual artist she draws from her heritage guided by her practice and spiritual studies which range from Occult Hermeticism to Mystical Kabbalah. Her work depicts the metaphysical poetics of the world using lens base instruments while conceiving the connection between personal mythologies and mythical realities. As a female artist she probes at how Feminism could visually employ the Magical Arts to construct a Collective Voice be that as it may a Collective Self or a Collective We. Since 2014, she has been picturing the Cosmos while manifesting the Celestial sublime as photographs. Her invocations, whether Scrying with the aid of the camera lens or Conjuring planetary forces, as her artistic journey are not based on the imaginary but has long been on the desire of the unattainable. She studied at the School of the Art Institute of Chicago (BFA) and Columbia University School of The Arts in New York, NY (MFA). She lives and works in Los Angeles and Wonder Valley, CA.

Since 2000, She has produced over twenty solo exhibitions, venues which include: SITE Santa Fe, Santa Fe, New Mexico; Apex Art, New York, NY; I-20 Gallery, New York, NY; Galeria Joao Graca, Lisbon, Portugal; Galeria Leyendecker, Tenerife, Canary Islands, Spain; Nils Stærk Contemporary Art, Copenhagen, Denmark; CB1 Gallery, Los Angeles, CA. The artist has been included in numerous biennials and museum exhibitions including: Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, New York, NY; The Joshua Treenial, Boxo Projects, Joshua Tree, CA; Bad Habits, The Albright-Knox Art Gallery, Buffalo, NY; Fusion Cuisine, The Deste Foundation Centre for Contemporary Art, Athens, Greece; TYP-O, Moderna Museet, Stockholm, Sweden; Media Connection in association with The Milan Triennial, Milan, Italy; Ars Digital at Palazzo delle Esposizioni, Rome, Italy; The 1st Moscow Biennale, Moscow, Russia; Chelsea Rising, The Contemporary Art Center, New Orleans, LA; Tent, Rotterdam, The Netherlands; ArtPace, Foundation for Contemporary Art, San Antonio, TX; Kunsthalle Wien, Austria; Schirn Kunsthalle, Frankfurt, Germany; National Centre for Contemporary Arts, Moscow, Russia, and The Weisman Museum of Art, Pepperdine University, Malibu, CA.

Written publications include; Not of Her Body Her Thoughts Can Kill: Kiki Seror 2000-2005. Text by Katarina Gregos, Richard Leydier, and Thomas Peutz. Introduction by Louis Grachos. Published by SITE Santa Fe, Santa Fe, NM 2005; Video Art. Michael Rush, published by Thames & Hudson, UK; “Artists Talk.” Gerald Matt, Moderne Kunst Nürnberg; DECADE: Contemporary Collecting 2002–2012. Foreword by Louis Grachos, Texts by David Pagel and Heather Pesanti, Buffalo AKG Art Museum, New York; The Youth of Today. Edited by Max Hollein and Matthias Ulrich, Schirn Kunsthalle Frankfurt, Germany, Verlag Der Buchhandlung, and Strangers: The First ICP Triennial of Photography and Video. Text by Brian Wallis, Christopher Phillips, Edward Earle and Carol Squiers, ICP, New York, NY. Her work has been critically appraised and written about in Art in America, Artforum, Frieze, Artpress, Tema Celeste, Flash Art, New York Magazine, The Village Voice, The New Yorker, The New York Times, and The Los Angeles Times.

Her works can be found in private and public collections including those of The Jorge M. Pérez Art Museum of Miami-Dade County, Miami, Florida; Norton Museum of Art, West Palm Beach, Florida; Eli and Edythe Broad Art Museum at Michigan State University, East Lansing Michigan; Buffalo AKG Art Museum, New York; Frederick R. Weisman Art Foundation, Los Angeles, California; The Dimitri Daskalopoulos Collection, Athens, Greece; National Centre for Contemporary Arts, Moscow, Russia; Ursula Blickle Stiftung, Kraichtal-Unterowisheim, Germany; Österreichischen Galerie Belvedere, Vienna, Austria; Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain; Fundacion ARCO (IFEMA), Madrid, Spain; The Sigmund Freud Museum, Vienna, Austria.